This study attempts to deploy literary thermodynamics as a critical tool for a deconstructive analysis of selected sculptural artwork, using “Broken Marriage in the Niger Delta” by Marson Odili as a case study. The paper argues that the sculptural work generates meanings other than what the sculptor intends it to mean. Instead of broken marriages as themes, this paper discovers and recommends domestic violence against women as an appropriate theme. The work by thermodynamic stand of creativity and criticism fails to offer protection, freedom, and balance and therefore is considered a thermodynamic tragic piece.
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